But Bruckheimer had to go and pair “Aladdin” screenwriters Ted Elliott and Terry Rossio with the gifted Gore Verbinski, which resulted in a surprisingly sharp and thrilling event film that has thus far spawned five sequels (with a sixth on the way, coronavirus willing). And had the Mouse House entrusted this nascent franchise to, say, Rob Marshall, this filmmaking strategy might’ve been dead on arrival (like, say, Rob Marshall’s “Nine”).
There was a time, children, when Disney’s decision to make movies based on theme park rides was considered the nadir of studio creativity. Bruckheimer has constantly stated that he is in "the transportation business." On the 25th anniversary of his "Bad Boys"-fueled comeback, here are his 25 most memorable trips.
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Simpson didn't live to see "The Rock" break $100 million in 1996, but Bruckheimer took his second chance and turned himself into a film and TV mogul (the latter behind "CSI", "Cold Case" and "The Amazing Race"). Then in 1995, they hired a couple of TV stars and transformed a troubled project called "Bad Boys" into a surprise hit, and by the end of the year, they had three box office smashes.
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When they signed a performance-contingent deal with Disney in 1991 and then failed to make a movie for three years, everyone broke out their shovels. When they hit the wall with the underperforming "Days of Thunder" in 1990, their jealous rivals delighted in their misfortune. They established the decade's style-over-substance template with "Flashdance," "Beverly Hills Cop," "Top Gun" and "Beverly Hills Cop II" and, behind the scenes, were the epitome of have-it-all, do-it-all excess (particularly Simpson). Bruckheimer and his erstwhile partner, Don Simpson, were the hottest producers of the 1980s.
The town got to do both with Jerry Bruckheimer. Two of Hollywood's favorite pastimes are comebacks and grave dancing.
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